CLICK HERE FOR MAGAZINE ARTICLE: More Than Meets the Eye; The Art of Jonathan Lyon, Inyan Magazine Article 3:18:2015
More Than Meets the Eye: The Art of Jonathan Lyon, Inyan Magazine March 18, 2015
Posted by jonathanvlyon
My Profile: The Gemara says that all of our constructs and paradigms exist as a result of suppressing information. From chaos, the sum potential of all that is possible - physicists call it white noise; statisticians call it raw data - we must push away that which is unwanted. We are left to work with our visions and patterns of reality. The big question is, how well do those visions match up to what reality actually is in all its inter-related complexity and detail. On Yom Kippur, we come face to face with the reality that "The hidden things belong to HaShem our God, but the revealed things are for us and for our children forever, that we might fulfill all the words of this Torah." (Deuteronomy 29:28). God's ultimate and uncompromising reality must hold us accountable even for paradigms we are NOT aware of! Many refer to this as "The law of unintended consequences." This is why what I hold dear is not answers, but an endless path of growing awareness that attempts to come closer and closer to reality as it really is - not the "reality" that is just a projection of some inner solipsistic construction within my brain. The questions- not the answers - lead me on that path. I have become deeply committed to a life long journey of learning, growth, change, love, discernment, service, play, commitment, questioning, and valuing disagreement. At my core is the notion that without self-doubt and without valuing difference and differing opinions, one cannot develop a fulfilling and meaningful life. My art starts as a white sheet of whole paper, which represents chaos - all the possible pictures that one could create on it - onto which I impose order. Simultaneously destructive and defining, my paper-cutting adds meaning to the paper. Cutting pieces out is a creative process that graphically reveals before me my deeper paradigms so that I can scrutinize them - so that I can better understand the limits and characteristics of the space in which those paradigms work and gain insight as to where they are no longer valid. But it is not just a discovery of my internal landscapes. It is a process of becoming aware of myself within relationship and covenant. It is my simultaneous love and awe of and participation in the splendor of God's continued creation. It is my Avoda.
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Hello Jonathan, on Facebook, I sent you a pic of some woodwork by Philip Roberts at the Renwick gallery in Washington DC. It made me think of the lovely and detailed work you do. Here at the Renwick in their Great Room was an immense detailed carved wood temple, and folks had access to pencils to write in it what or who they wanted to remember or memorialize. The work in the Great Room was headed up by David Best who’ since 2000 has created a number of Temples at Burning Man – “Sacred Spaces, devoted to reflection and prayer”. I’d love to post some pictures here but it doesn’t look like I can. My best to you! Joe